Monday, December 21, 2009

txt msg+tech+BF=OMG modrn luv

 

Originally published in VoiceCatcher Volume 2 by Portland Women Writers

 


There I was, furiously punching away on my tiny keypad, periodically checking the cobblestone sidewalk to avoid the ubiquitous dog feces as I walked. Or stomped, rather. I seethed. I sent. Then I waited for the next msg to be lobbed back.


This, unfortunately, was my love life. It all started out innocently enough. I’d been living in Spain for a few months, where citizens, for the most part, have not embraced pooper-scoopers— hence the daily defecation side-step. I was working at an ESL teacher training school and met a charming British man on holiday with his father. After pity-partying my way through the Christmas holidays while I watched stylishly clad Spanish families walk the narrow streets to an endless soundtrack of church bells, he was a welcome distraction, breaking up my loneliness and anxiety with a constant smile and baffling phrases such as “slagging off,” “silly git,” and “bloody (fill in with endlessly various nouns).” We laughed all the time, and he made sure to constantly tell me just how much he adored me.


He’d look at me from across a room, and we’d both freeze, arrested in giddy, early love, our hormone- and neurochemical-addled brains bubbling over with exhilaration. During the weeks we spent together before his return to England, he betrayed his hopelessly romantic core, pulling me on elevators for furtive, heady make-outs, slipping notes inside the piles of paper on my desk professing his infatuation with me. I was falling for him. And I tried my hardest not to, because he didn’t even live in the same country.


Having never believed in long-distance relationships, I went against my better judgment and embarked on what would soon become an endless communiqué between Spain and England. Distance was built into our courtship from the start. I slaved away in my office in Sevilla, while he scootered his way through London. He visited every few weeks, but face-time was a luxury.


The relationship subsisted through phone calls, emails, and text and instant messaging. In an instantaneous moment, the “we” of our relationship was not limited to him and I. When things eventually (spoiler alert!) got ugly, (spoiler alert!) our heated exchanges were all the more heightened by the presence of IM and its nosy cohorts, like smug stenographers all too pleased to translate and transfer the venom.


The totalitarian tendencies of technology presented constant looming expectations, that ball-and-chain, catch-22 of convenience. Cell phones and computers were always a lurking presence, weighty with the menacing reminder, Your thoughts and feelings will be transmitted through us. You have no excuse for not communicating, because you are obligingly connected, all the time.


I began to enviously regard the droll predictability of the daily routines that most couples lamented. What I would have given for an unadulterated chat on the couch, our thoughts and words simply hanging in the air. Not needing to be digitized and pixellated to come into being. Our infrequent rendezvous felt desperate. The joy of simply sitting at a café table together was always undermined by the threat of our inevitable separation, when our utterances would revert to their electronic state.


Boyfriend (BF) was pretty deft at texting, and chided me for taking so long to reply and for only using 30 characters when I had 140 at my disposal. Mind you, this man was 35 years old. It was like having a techno-happy teenager at my elbow, constantly bemoaning my lack of digital finesse. BF peppered his messages with what I now recognize as insidious txt language. U wud have been amazd to c it.


The first times he said he loved me was in the form of a text message, and there was something about that that I just couldn’t take seriously. Adults don’t express their emotions through a shorthand language dominated by adolescents. Love was too big for that.


I had a hard time accepting luv, and all of its attendant manifestations and conflicts, on a tiny phone held in my palm. Shakespeare may have structured and reconciled the messy enormity of love within the confines of sonnet form. But BF’s expectation of me to encapsulate my feelings through a piece of Nokia-issued plastic was like being asked to share my innermost desires through Morse code.


The collision of both of our intense personalities produced spectacular sparks, but, like most powerful combinations, the potency soon became a destructive force, crushing every bit of goodwill in its path. His passionate personality gave way to an underlying layer of insecurity and jealousy, which provoked a string of battles. Our fighting soon caught up with, and then overtook, our initial bliss.


Our fights navigated through and across all forums: instant messenger, email, text messages. Email and texting have a time-delay factor, which led me to punch out a rage-fueled response that resulted in a scrap of the original long-winded lament I’d intended. These limitations enraged me further. I could not abide by my fights becoming Verizon’s commodity. They were making five cents on every volley and comeback.


If you’ve never conducted a fight via txt msgs, try your best to keep it that way. This relationship was my first experience with text wars. They were the worst kind of fight, because the exchanges were bite-sized. He would make some infuriating comment, and I, enraged, would have to respond. In 140 characters or less. Or in multi-message, where you have too much to say and the whole thing gets split up into smaller messages sent in succession to the recipient. This results in a disorder and lack of continuity that the recipient must remedy by reading the first message last. I couldn’t even depend on linearity in my conflicts anymore.


Typing skills also present a problem. In one tender conversation, BF told me to fuck oof. 

Then to fuck off. 

Damn Messenger.


Instant messenger evokes the same kind of aversion that Match.com does, for its role in the commodified systemization of compatibility. I like my life organized: I keep an obsessive planner, I sort files and clothing to establish a sense of order within the scheme of the universe that leaves me panicked.


But love? Love isn’t meant for charts and graphs. I recoil at the thought of feeding my romantic stats into some number-crunching program so that a pasty, pudgy Econ flunky can direct me to my betrothed. I cling to the romantic within, the poor soul constantly on the verge of being drowned by the more powerful and vocal cynic who monopolizes my psyche.


I don’t want external applications of structure in my love life. I hate the idea of subscribing to planned problem-solving sessions and communication strategies, just as I hate those self-improvement books that reduce life and the self to a few simple steps, a few “Rules.” Ugh. Messenger is yet another instrument in the unfortunate technologification of love.


Messenger does have its benefits, I suppose. Because it is basically a transcription of a romantic/emotional exchange, it is a transcription of the relationship. Whenever I think of visiting a new therapist and having to somehow encapsulate my existence and all of its attendant problems and people within neat verbal explanations, Messenger could be quite handy. If BF and I had ever made it to therapy, the lucky professional, with a brief perusal, could have a solid record of our highs and lows, a nice overview of our dysfunction, right there on paper. It’s like having a personal scribe record every detailed exchange of emotion. Every cruel jab, every hyperbolic declaration documented. Oh, the convenience.


The deal-breaker should have been that my BF wrote everything as a text message, complete with “u,” “b4,” and other hideous configurations. This included handwritten notes and cards, and I recoiled every time I received one.


I’m even a grammar descriptivist, so I make lenient concessions for language misuse and innovation. I’m a firm believer in the true democracy of language, the power of the masses in language evolution. But I’d rather continue my selective linguistic snobbery than wrap my mind around a reality in which it is acceptable for adults to write this way. There is a creepy juvenile reversion about it. I can’t take seriously “I luv u” written in a card. The medium is the message, and the medium privileges convenience over poetics.


The worst part was when I received a card from the BF, in which he said, “U are special. I luv u 2….” Did I say this was a hand-written card? As in, regular English forms would be called for? I’m sure he must have known how to write in standard language, but I never saw it. He was intelligent; not the most literary of the bunch, but I think he knew better. Yet he always wrote this way.


In college, one of my linguistics professors explained that anthropological studies in recent decades had been producing a growing body of evidence for the complex communication systems of apes. Still, one of the remaining distinctions within humans’ one percent of genetic difference remains our ability to transmit messages from one physical setting to another. However, as our reliance on these distant communications increases, I wonder about their viability as a substitute for communication in its more basic, primal form.


The enterprise of modern technological communication relies upon a sort of suspension of disbelief—a chosen denial and acceptance of the virtual for the real. Virtual communication is just that—virtual. I would never want to think that technology-aided communication could ever truly replace the intimacy of the immediate.


Perhaps that is why I still harbor a sense of incompleteness after BF and I broke up, fittingly and for the last time, over email. Maybe it’s because tears are still organic and an aching heart can’t be digitized. And even if we someday find a way to fully technologize emotion, I’ll still take old-school love, in all its low-tech glory, any day.

Sunday, December 13, 2009

Get Mortified




I was an obsessive-compulsive 14 year-old control freak. And I (barely) lived to tell about it. If you've missed me in Mortified, you can check out my performance transcript here. And you can also check Mortified for a schedule of upcoming shows in which I may make an alumni appearance!

I’ve always had an intense personality—my dad loves to remind me that I was giving dirty looks when I was six months old. My sisters can tell you about my reliable tantrums when I lost a game of “Sorry!”, which usually ended in me throwing the board. My parents told me it would be okay if I got a B in school, even in elementary school, but I never believed them. Why in the world would someone want to get a B?

By the time I was a teenager, things came together to create the perfect storm: I had inherited my mother’s food hang-ups, but unfortunately, not her thin body. She was a star runner and I idealized her athleticism. In the horse world, Mom would be an Arabian, while I was naturally more like my dad, a Clydesdale.

But, because I was 14, and did not yet understand the cruel injustices of the universe, I refused to accept myself as is. Plus, I loved ballet, and of course, there was no such thing as a fat ballerina. Armed with helpful “diet tips” from every teen magazine, I launched an unrelenting campaign of self-improvement. It quickly took over my life.

On a scale of 1 to 10 in intensity, I was a 15. My extremism/anal-retentiveness made it hard for me to be a “normal” teenager. Think Tracy Flick from “Election.” That was me.
These are my journal entries from 1992 to 1993, when I was 14.



February 12

If anyone ever finds this, I want you to know who I was. I am a girl of Eugene, OR, and a normal family. However, I am a typical teenager with some unique qualities of a girl my age. I think I’m fat and I’m really scared because I’m afraid I’m gaining weight and I’ll never be the same. I’m changing my eating habits to get things under control NOW before it’s too late.
I am a perfectionist with high ideals. I want to do everything right and lead a successful life as a beautiful person.
I want to save the world.
I’m going to be perfect!!

November 1, 1992

Lately I’ve had so much to do. I do schoolwork, exercises and ballet, yearbook, Student Council, choir, announcements, then all the little things. I try to have of course a perfect balance of friends, school, family, exercise, and free time.

November 2

I sometimes wonder whether I’ll be an obsessive-compulsive adult. But I can feel that pressure I put on myself sometimes, like in ballet. I feel I have to practice and be moving between every exercise. It’s just my will and desire to work and excel, it appears in everything I do. I don’t know whether this is good or bad.

November 27

…I demand a lot from myself all the time, but that’s what I love to do. It’s part of my personality. I’m so glad the term’s over. I worked really hard. I always do, but this term I really earned those A’s with all I’ve been keeping up with.. Maybe this is my motto: I thrive on stress.

November 29

I’m so inadequate. I’m going to ruin the Nutcracker, I didn’t jog this weekend and I eat too much. We’re barely going to school this month
[because of winter vacation]
and I don’t do enough things. Everything’s ruined. I always argue within myself that I get obsessive and too perfect, but my other side wants everything precise and perfect and it’s never good enough. Life used to be so simple and good as a kid.

November 30

I feel much better today. Things feel under control and that’s what I like: CONTROL.

December 20

I’m so nervous! It’s my last chance today [to dance well in the Nutcracker]. I expect a lot out of myself. I have to do great!

[The same day]


I BELIEVE I can do it! I am a winner!

December 21

My last performance was great! I loved it! And as I was backstage watching the Waltz of the Flowers, an idea struck me with sudden impact. I have a desire, in my heart, to be a dancer. One who lives, breathes, and speaks dance.

December 27

My New Year’s Resolutions

1. I will stretch at least twice daily, even when not in ballet, except when sick.
2. I will eat no junk food or fried things, and not splurge and eat too much.
3. I will exercise religiously no matter what I do, where I go, or who I’m with.
4. I will floss every day.
5. I will allow myself to adjust and relax to these resolutions.
6. I will save my money.
7. I will not use the word “retarded,” as it is rude and offensive.

January 1, 1993

Well, here I am, it’s 1993, I’m fourteen, complete with braces and zits, and psyched for the year. Maybe I’ll actually find a love, someone that doesn’t make me want to shove their head in a toilet and tell them about their stupidity and hopelessness. You can see I’m apathetic about the nearest familiar male population. Well, it’s no wonder with the losers I know. Nothing but a bunch of sex-crazed, selfish, perverted, unappreciative, idiotic, barbaric and rude pieces of shit that inhabit the earth.

January 2

I’m fat, lazy, gross, and a failure. No one cares about me. Whenever I’m mad, I clean or exercise, which is what I’m about to do.

January 10

I barely exercised this weekend, and I didn’t do ballet as planned. My exercises felt useless, and my butt didn’t even hurt after the squeezes. What am I doing wrong? I don’t exercise just because I want to keep trim, I want to totally be in shape and have a healthy heart
[Right!]
So I need more aerobic exercise. Like running. I need to do it much better. Everything. I need to practice ballet more, too. Oh, I’m such a failure!

January 29

I hate my fucking mother. She’s so stupid. Like, I was exercising, nothing was wrong, and she has to come up and get mad. I don’t know WHAT she has against it. I want to and no one’s forcing me, it’s good for me and doesn’t bother anything. I work in school and on my own, and get stuck with this family I hate. I’m not spending time with them. I’ll just exercise more, and never talk to them. I’ll stay in my room and not do anything with them and act depressed and sad. Actually, I know I’ll be that way, I don’t have to fake it. I can’t WAIT until I can drive and do whatever I want.

March 7

I want to rev up my social life! Tomorrow I want to call Kristy, Hanna, Meg, Tori, Leah, Hester, Brian, Annie, Mack, etc. I want to let people know they’re important to me.

March 13

Right now it’s about 7:08 am, and I’m doing the splits. I woke up at 6:30 and started my exercises. I have to follow these rules:
1. NO OVEREATING (only eat small meals and just enough that I need.)
2. No extra snacking.
3. No fattening foods.
4. Don’t spend a long time eating and leave kitchen immediately when done.
If I do these, I can get rid of my blobiness.

March 15

I’m lazy, fat, ugly, and a failure at everything. I worry I don’t have fun, I worry when I should worry and why. I don’t want sleep or food. I don’t deserve them. I want to suffer.

April 26

I saw Dr. Crist about my stomach. I’ve been taking Citricel and it works. Like today, I had gas and weird diarrhea somewhat. They said the pains were from stress, and I might have to change some things. But I haven’t and I hope I won’t.

May 2

It’s 7:45 on Sunday, and I’m debating going jogging. My one toenail is kind of ingrown, and before the skin around it was red and puffy, and there was fluid coming out of the corner.

July 19

Dad bought 2 kayaks, and we went yesterday. It was so fun! The only price is a huge blister on my hands. But I enjoy things like that. They make me feel like I’ve worked hard.

[A few months later…I probably got too busy exercising to write…]

December 27

Well, the year comes to a close, and many things have changed. I don’t get as depressed except occasionally, I feel more stable in my exercising, and I talk more to friends. When I read my resolutions for the past year, I said a lot about not eating too much. Now I’m at a good level, and I don’t worry about it. I didn’t quite floss every day, but almost. I did save my money, and don’t say “retarded” anymore. This year, my resolutions are:

-Show my friends and family how important they are.
-Pay more attention to friends and call those I don’t see more often.
-Make the most of every day.
-Don’t make such a fuss over food.

January 11

Things are pretty darn good. The guys are gorgeous, the days are good, the opportunities are there to seize.
I feel lucky. I feel lucky to worry over my next math test, or if I’ll get a boyfriend. Not whether I’ll come home to find my mother lying in a pool of blood, or if I could sleep through a night with no gunshots.

February 4

I feel so excited right now. Here’s a story I’ve been making up in my head. It’s like a future of myself in a magazine.
Stacy Carleton sits across from me, telling me a memorable story. The 28 year-old is fresh, successful, beautiful and smart. And she’s smiling.
“Life is wonderful right now,” Carleton said with a grin. “I love every bit of it.”
Loving life is important to Carleton, who struggled with anorexia and depression while growing up.
“I used to hate myself. I thought I was a complete failure if I didn’t do every last thing perfectly,” Stacy said seriously. “It was the lowest point of my life.”
With the past behind her, Carleton has reason to be smiling. As the youngest national newscaster, she is chief medical correspondent for CBS.
The icing on the cake came six months ago when Carleton married __________________ after dating for three years.
The next question. “Children?” I wonder.
“Let’s just say my career needs a little more nurturing right now. I’m in a state of bliss.”


© 2007 Mortified Media, Inc.

An Open Letter to William Safire


October 15, 2008


Dear Mr. Safire,



They're sort of the new black. Actually, they're kind of the new “like.”

I don’t really want to get my James Kilpatrick on, but recently, “sort of” and “kind of” have become so ubiquitous that I’ve started to notice them everywhere. I first picked up on the speech of my teaching colleagues, who, at meetings, talk about the need to “sort of evaluate students” and one in particular who wants to “sort of meet with me every other week or so.”

“Sort of” and “kind of” have become the adult-sanctioned equivalents of their younger, less respected cousin “like.” I’m sure they have been around for awhile longer than I have been aware of, but in the last year or so, they have multiplied to the point of creeping into the language of some of our most esteemed, or at least visible, citizens. Journalists, media representatives and public figures have embraced it: For just one, Caroline Kennedy, at the Democratic Convention, talked about Obama’s opportunity to “kind of transform his leadership.”

So what? While adults bemoan the continuing domination of “like” over our teenage masses, verbal pauses such as “you know” have long been acceptable in adults, at least in moderation. Like an extra breath, “you know” and its ilk allow us to collect our neural resources for the next utterance, while our brains locate just the right words.

But “sort of” and “kind of” are different from “you know.” “Sort of” and “kind of” are diminishing phrases that qualify their anteceding verbs with a sense of ambiguity. Adjectives, on the one hand, sometimes merit only a vague accuracy, as in, “He’s sort of tall,” because “tall” can be a subjective claim. But doing verbs? Not unlike being pregnant, you either are or aren’t: “So, I was sort of walking down the street.”

These “sort ofs” take the assertion out of the message, softening it, in some cases, to the point of flaccidity. Adding “I feel,” especially as a replacement for “I think,” to a statement does similar things, and has been cited as a weakening phrase that more women than men employ. As a general cultural rule, women worry about constant approval, and thus the forcefulness in their expressions that may not be taken well by their receivers. So they add backpedaling flourishes and say, “I feel we should take drastic action,” rather than the unapologetic and more confident “We should take drastic action.”

What’s the harm? we may think, but can we imagine a general declaring, “I feel we must invade immediately”? And do we trust him if he wants to go in and “sort of deploy some troops”?

We are each our own representatives, so it is technically redundant to tack “I feel” and even “in my opinion” to our declarations. Unless we are directly speaking for someone else who cannot do it themselves, of course we are voicing our own opinions and what we ourselves feel (think). I am guilty of it myself. But when I think about it objectively, it’s almost as bad an offense as my students so reliably writing in their papers, “In this essay I am going to tell you what I think about _______.” I have explained to them many times that they don’t need to explicitly announce this. Of course you are going to tell me what you think in your paper. At least that’s what I hope.

My teaching partner and I like to playfully call our students out when they start telling the class about how they “like, went to the movies last weekend, and like, saw the guy that Tiffini, like, totally has a crush on.” “Did you, like, go to the movies,” we ask, “or did you go to the movies?” Now I’m wanting to turn similar questions on adults, such as my graduate education professor, who informs our class that later on “we’ll kind of report out and have a discussion” and that on the reading test we are preparing for we “kind of have to read [each] question very carefully.”

But that would be rude, or at least James Kilpatrick-ish. And I sort of don’t want to be like that. Plus, I am not immune. I have caught myself saying such things to my students as, “This is where Elie Weisel sort of begins to question his faith,” then wincing afterwards.

Julianne Moore, in a recent NPR interview about her new film “Blindness,” explains the emotion in a scene where she realizes she has forgotten to set her watch. The real tragedy, she says, is not necessarily in the events of the scary dystopia that the film presents, but the more relatable sense of not having control in life at all. “It kind of moves us,” she summarizes, and thus takes the oomph out of her own example.

It’s easy to proffer such teacherly advice as “Say what you mean, and mean what you say,” but perhaps it’s difficult to know what to say in these times. When around us, the most powerful financial players are crashing and burning, more soldiers continue to die for unclear visions of democracy in the Middle East and elsewhere, and the ethical stance of our leaders is about as hazy as permit legalities on a family moose hunting trip, ambivalence and non-commitment are natural reactions. These days, every action seems to have an equal and opposite negative reaction. So we turn to cautious tip-toeing, even down to a linguistic level, as the safest option for now. Even the divisive presidential race can’t guarantee unequivocal sentiments, as illustrated by a female voter in Pennsylvania who recently opined to NPR’s David Green, “You kind of pick the person that you kind of have a feel for, and I kind of have a feeling for McCain.”

This kind of disturbs me. But I’m curious about the evolution of this phenomenon and am going to kind of wait and see where all of this kind of leads.

What do you think? I’m kind of wanting to hear your thoughts.

Sincerely,


SC Carleton


R.I.P. William Safire

Sunday, December 6, 2009

What Do You Mean Cormac McCarthy Doesn't Write Bedtime Stories?

It's been sitting on my bookshelf for almost a year, after being purchased during last year's Arctic Blast 2008. Not that that fact should warrant concern on its own, as it has been keeping good company with the likes of Jonathan Safran Foer's Extremely Loud and Incredibly Close, a McSweeney's collection that I forget the name of, some James Joyce, Naomi Wolf's Give Me Liberty, Best American Short Stories 2008, and plenty of other books I've owned for a long time but haven't actually read yet.

But a trailer of Viggo Mortensen grimacing and trudging raggedly through a snowy landscape dotted with abandoned cars before my second viewing of the glampirific New Moon (I won't go into how that happened right now), along with a review of said film highlighting the storage of human bodies consumed limb by limb as a plot point, created the tipping point for my long-delayed venture into The Road.

Descriptions like "terse," "unsentimental," and "post-apocalyptic," are what I've gotten used to hearing about McCarthy's novel. "You should read this book because it is exactly how a book about our future ought to be," says Tom Chiarella of Esquire.

"It was hard to read before bed," a co-worker reflects when I declare yet again my intention to finally open it.

"What is the name of that book, where there's a man, and a boy, and they find a baby cooking over a fire?" one of my students asks at the beginning of the year when the class is creating reading autobiographies of memorable books.

"The Road," answers another student who had read it in a class they shared the year before.

The book's reputation for darkness was starting to make me a little nervous. If my personal history with other books and movies is any indication, my naturally anxious mind would be vulnerable to the strong visual influence of disturbing acts and ideas. I remember having nightmares when I was seven or so after seeing not the Nightmare on Elm Street movies themselves, but just a commercial about one. Later, the evils of 1984 and The Picture of Dorian Gray were not literary visions, but possible, even probable, terrifying realities to me. Around the time I read Dorian Gray, I regretted watching Scarface because the chainsaw-beheading scene kept replaying itself over and over in my head, and my head kept filling in what was left out of the on-screen footage. The same thing happened with The Descent, 28 Days Later, Boys Don't Cry, Seven, and many, many others. Saw and Hostel? I can barely read about these ones without causing self-inflicted trauma.

Really, though, how bad could The Road be? I think as I settle into bed and open it last night. Immediately I am hooked. McCarthy's spare, syntactically unusual, and yes, as everyone says, terse prose draws me in and doesn't let go. The simple tenderness between father and son against a dead, austere landscape, and the father's memory of the perfect day at the lake on his uncle's farm is heart-breaking.

And then the men in the truck come. It's not until one of them grabs the boy and holds a knife to his throat that I realize my heart has been pounding the entire time I have been reading. I've been bracing myself for something horrible that I know is coming. My cheating eyes dart to the opposite page I'm reading, scanning for a sign of the horror on its way. And that first horror comes in the man's memory of the now-dead attacker, when he recalls his "gray, rotting teeth," "claggy with human flesh." I don't even know what "claggy" means until I look it up the next day, but it is enough to send me into a panic.

The horror comes again when the man and the boy secretly watch a "ragged horde" of cannibals, a group led by red-scarved, gas-masked men with crudely cruel weapons and made up of slaves and catamites whose fate I won't even let myself speculate on.

After about 100 pages in, I'm laying rigid and hyper-alert in my bed, convinced that cannibals are now inside my quiet and dark house. And yet I can't stop reading. I can't look away. And now I can't sleep.

I call my fiancé for comfort, who laughs at me but makes me feel better by evoking bunnies he saw on Cute Overload.
“What’s that tapping?” he says after awhile, interrupting his description of an online celebrity cat named Winston eating sour cream.
“What?”
“That tapping. Is that a zombie-cannibal tapping at your window?”

I eventually manage to calm myself down, but I still don’t sleep well that night. I suppose this all sounds pretty Pollyanna-ish. I do like my share of darkness; as I tell my students, it is often where the core of human truth exists. Pithy, tragic stories like Night, Lord of the Flies, and Othello form the foundation of one of my classes’ curriculum. One year a student whined, “When are we going to read something happy?”

“We’re not,” I replied flatly. “These books hold the truth about humanity and ask the real questions that count. Happy books don't show what humans are really made of and what we’re capable of.”

That said, I've found I have to limit my extracurricular exposure to evil. I’ve spent enough time in my own life in self-imposed gloom that I don’t want to dwell there too long these days.

I think McCarthy’s work, and brutal images in general, are so disturbing because of our instinctive identification with the people involved in them. When I picture those claggy teeth, I might imagine that they want to become claggy with my human flesh, but I also can’t help but imagine them as my own. As I watch the gruesome beat-down of Butchie on The Wire, I feel revulsion and…something else. It’s a something that I don’t even want to acknowledge, an involuntary limbic response to violence I can barely sense. But it’s there--a vertiginous mix of disgust, shame, and fascination. It’s my reminder that underneath all of the civilization, all of the rules and manners and infrastructure and bureaucracy we’ve layered upon ourselves, we’re still beasts. Strip these things away, as McCarthy and Wiesel and Golding have shown, and all bets are off; humans will do anything to survive. I know they’re right—and that’s why I’m terrified.

I often think that the longer I’ve been in the world, the less I need to see fictionalized brutality, when there is too much brutal non-fiction as it is. But I can’t stop reading, and I can’t look away. Now I'll just limit my reading of The Road to the daylight hours, preferably in a crowded room.